🎶 This backing track was designed to be played entirely with the E minor scale, even though the chord progression includes E7, A7, B7, and C7.
Using just one minor scale over all these chords may seem theoretically inconsistent — for example, the G in the E minor scale clashes with the G♯ in the E7 chord.
However, this kind of dissonance is not only acceptable in blues and fusion music — it’s a key part of what gives the sound its raw and expressive character.
Playing exclusively with the E minor scale over this progression becomes more about tone control, phrasing, and emotional depth than about perfect harmonic fit.
Don’t be afraid of the tension — explore how much you can express using just one scale.
오렌지핀 트랙스(ORANGE FIN TRACKS)
오렌지핀 이현수 (ORANGE FIN HYUN SOO LEE)
